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Robert crumb documentary youtube11/23/2023 ![]() He’s extremely upset that Sony Pictures picked it up and that it looks like it may be successful.” I think the only reason he let me film them was because he was convinced the film would never be finished-and that if it was, it wouldn’t be seen by anybody. I have no idea why they refused, but then, Robert too was reluctant to let me delve into his family. ![]() “Robert’s younger sister told me if I so much as mentioned her name in the film she’d sue me for everything I’m worth, and his older sister was a bit more polite but also said no. That couldn’t be helped, though, because (she only) let us shoot for an hour. “When I met Robert’s mother, she was more together than she is now, and unfortunately, she comes across in the film as more spun-out than she is in real life. I’d met his mother (Beatrice) and his brother Charles when I spent a night at their house in Philadelphia in the early ‘70s and thought they were both funny and brilliant. ![]() “When I started the film I told Robert I wasn’t interested in doing a straight biography and that I wanted his family to be involved, but I didn’t expect the family to figure as prominently in the film as it does. The film quickly got off that track, however. So, my original intention was to help people gain a deeper understanding of his work. “Whenever I paged through his sketchbook I was always knocked out by the scope of his art, and I thought it was appalling that the only work of his most people know are inconsequential things he did in the ‘60s like ‘Keep on Truckin’ ’ and Fritz the Cat. “We’re happy for Terry and hope he gets to make more films, and for people who don’t know us I’m sure it will be very interesting, but we’d both prefer the film didn’t exist.”īegun in 1985 and completed for less than $200,000, “Crumb” took root “simply because Robert’s a great artist,” says Zwigoff, whose previous films include “Louie Bluie,” a portrait of obscure blues musician Howard Armstrong, and “A Family Named Moe,” a documentary on the history of Hawaiian music. If we were left in peace to reflect on the film it would probably be easier to handle, but there’s a media frenzy descending on us that’s made this a nightmare. Visit the World of Little Nemo Artist Winsor McCay: Three Classic Animations and a Google DoodleĪyun Halliday is a feminist and a long term Robert Crumb fan.“It’s very anxiety-producing to have this kind of information about you and your family out for anyone to see, and having people hounding you to talk about it only adds to the anxiety. The Inscrutable Imagination of the Late Comic Artist Mœbius Record Cover Art by Underground Cartoonist Robert Crumb ![]() You can find The Confessions of Robert Crumblisted in our collection of 55o Free Online Movies. One hour with Crumb and you may find yourself spending the next two or three on esoteric topics ranging from James Gillray to Harry Roy and his Bat Club Boys. He also reveals himself as a lifelong learner, avidly researching his non-flesh-related passions. As social maladroits go, he’s not afraid to wear a lampshade on his head. One might even say he plays it up in goofy staged bits, such as the one where he dons a lab coat to examine the powerful rear and kidney bean-shaped pelvic tilt of an impassive model clad in 80s-style Jane Fonda Workout wear. ![]() The talking heads are minimized and the extended family kept to the shadows, but he’s frank about the erotic preoccupations that figure prominently in his work and have raised more than a few feminist hackles over the years. (“And I guarantee we won’t earn an extra dollar as a result of this wonderful exposure,” Aline adds in a word bubble, an observation the Crumb blog gives the lie to, nearly twenty years out.)īut in terms of what he was willing to own up to on camera, Crumb the screenwriter is far from a shrinking violet. Fame for Crumb is a monster-making drain on creativity. Their objections ultimately lay with the notoriety the film would confer on them. It’s still a lot of fun though, perhaps more so for having been scripted by its main attraction.Ĭrumb and his wife, fellow cartoonist, Aline Kominsky Crumb, were uneasy with Zwigoff’s portrayal, a reaction they documented in Head for the Hills!, a jointly authored, two-page comic in the New Yorker. Unless you’re a virgin to the subject, The Confessions of Robert Crumb, a BBC doc whose release predated that of Zwigoff’s definitive portrait by seven years, will contain no major revelations. Crumb, may consider themselves fairly conversant in both the art and the offbeat existence of the vintage-record-revering sexual adventurer and self-proclaimed wimp.īut does a traveler pass up the opportunity to visit Paris simply because he’s been there once before? Anyone who’s seen Crumb, Terry Zwigoff‘s 1994 documentary about underground comics legend, R. ![]()
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